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As any photographer will know, regardless of what equipment they possess, or the quality of their technique, camera-derived art is as much based on post-capture processing, as it is on the pressing of a shutter button and all that leads up to it. The iPhone was one of the first devices truly to combine these two halves of image-making into one package, and as a result, iOS is blessed with both good variety and good quality in the image editing department.

Sadly, many of these fine apps don’t make it onto the iPad, or at least not in a format optimized for the larger screen. This is, of course, because few iPad owners use their tablets for anything other than posterity snaps. But as a keen photographer myself, I’m often left wishing that I could utilize that large ten-inch expanse for some editing; let us not forget that Apple, themselves, manufacture a Camera Connection Kit to facilitate the uploading of externally-taken images.

So imagine my joy when I discovered recently that Afterlight (formerly Afterglow), the iPhone editor of the discerning applier of filters, had been updated to version 1.9, and optimized for iPad in the process. How well has it made the transition, and can it set a new benchmark for photo fiddling on the biggest brother of the iOS family? I set about finding out…

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